From Body Development to Functional Psychological Perception: A Defense of Film Performance Training Methods
Drama, 2021(03), 127–139.
RESEARCH
I study how performance makes emotion, relationships and power observable—from actor training and moving images to encounters between AI performers.
AI–AI Co-Performance and the Reframing of Human Performance Distance
This research explores emotion as something observable in an exchange, rather than something that must originate in an individual’s inner experience. It considers how AI–AI co-performance can reframe the way we understand distance in human performance.
Presented at TaPRA 2026, Performance and New Technologies Working Group, London, 4 September 2026.
The Institutional Production of Governed Dissensus in The President’s Face
The proposal was accepted in July 2026 for development into a full article for Theatre Research International, special issue 52.3, “Governing the Theatrical Event: Policy, Power, and the Democratization of Performance”. The full article remains subject to peer review.
Published in Chinese; titles below are English translations.
Drama, 2021(03), 127–139.
New Films, 2020(03), 36–40.
Proceedings of the 12th Yangtze River Delta Drama and Film Graduate Academic Forum, 24–29.
New Drama, 216.6, 18–19.
Exploring AI Agent Applications in Social Performance. Poster presented at the UNU Macau AI Conference.
When the Entertainment Industry Meets GenAI. Invited talk, Shanghai.
Invited talk, Shanghai.
The Intersection of Digital Media and Role Performance. Invited talk, Guangzhou.